Against Race: Imagining Political Culture Beyond The Color Line

Author: Paul Gilroy

Publisher: Harvard University Press

Year of Publication: 2000

Print Length: 406 pages

Genre: Non-Fiction / Political Science

Area: Africa, Europe, North America

Topic: Race, Identity, Othering & Otherness, Racist Nationalism, Nationalism, Racism, Humanism, Fascism, Multiculturalism, Cosmopolitanism, Colonialism & Post-Colonialism, Biopolitics, Politics & Power, Social JusticeDiversity, Ethnic & Ethnicity, History, The Africans, The Arabs, Black People

After all the “progress” made since World War II in matters pertaining to race, why are we still conspiring to divide humanity into different identity groups based on skin color? Did all the good done by the Civil Rights Movement and the decolonization of the Third World have such little lasting effect?In this provocative book, Paul Gilroy contends that race-thinking has distorted the finest promises of modern democracy. He compels us to see that fascism was the principal political innovation of the twentieth century―and that its power to seduce did not die in a bunker in Berlin. Aren’t we in fact using the same devices the Nazis used in their movies and advertisements when we make spectacles of our identities and differences? Gilroy examines the ways in which media and commodity culture have become preeminent in our lives in the years since the 1960s and especially in the 1980s with the rise of hip-hop and other militancies. With this trend, he contends, much that was wonderful about black culture has been sacrificed in the service of corporate interests and new forms of cultural expression tied to visual technologies. He argues that the triumph of the image spells death to politics and reduces people to mere symbols.At its heart, Against Race is a utopian project calling for the renunciation of race. Gilroy champions a new humanism, global and cosmopolitan, and he offers

INTRODUCTION

1. RACIAL OBSERVANCE, NATIONALISM, AND HUMANISM

The Crisis of “Race” and Raciology

Modernity and Infrahumanity

Identity, Belonging, and the Critique of Pure Sameness

2. FASCISM, EMBODIMENT, AND REVOLUTIONARY CONSERVATISM

Hitler Wore Khakis: Icons, Propaganda, and Aesthetic Politics

“After the Love Has Gone”: Biopolitics and the Decay of the Black Public Sphere

The Tyrannies of Unanimism

3. BLACK TO THE FUTURE

“All about the Benjamins”: Multicultural Blackness—Corporate, Commercial, and Oppositional

“Race,” Cosmopolitanism, and Catastrophe

“Third Stone from the Sun”: Planetary Humanism and Strategic Universalism

NOTES

ACKNOWLEDGMENTS

INDEX

Paul Gilroy is one of the foremost theorists of race and racism working and teaching in the world today. Author of foundational and highly influential books such as There Ain’t No Black in the Union Jack (1987), The Black Atlantic: Modernity and Double Consciousness (1993), Against Race (2000), Postcolonial Melancholia (2005) and Darker Than Blue (2010) alongside numerous key articles, essays and critical interventions, Gilroy’s is a unique voice that speaks to the centrality and tenacity of racialized thought and representational practices in the modern world. He has transformed thinking across disciplines, from Ethnic Studies, British and American Literature, African American Studies, Black British Studies, Trans-Atlantic History and Critical Race Theory to Post-Colonial theory. He has contributed to and shaped thinking on Afro-Modernity, aesthetic practices, diasporic poetics and practices, sound and image worlds.

Source: https://www.ucl.ac.uk/institute-of-advanced-studies/professor-paul-gilroy

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